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Post by hbkbigdaddycool on Nov 11, 2022 2:55:57 GMT -5
Bret Hart = Greatest Pro Wrestler ever!
Road Dogg = a great sports entertainer.
So Road Dogg smoked himself stupid clearly, but I will say that Road Dogg was great when it came to a catchphrase and a few signature moves. But I can't think of one Road Dogg match I want to watch right now.
As for Bret Hart??
I can think of many matches I want to watch with Bret Hart.
From his Hart Foundation days, to his IC Title reign to his WWF Title reign. All great stuff to watch.
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saintegenevieve
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Post by saintegenevieve on Nov 11, 2022 16:23:58 GMT -5
Bret Hart was a really mediocre babyface ace. Having fire is arguably the very top trait of a face. I thought Bret Hart was flat, with mediocre fire, and didn't do great character work. Without Hart's family by sheer happenstance being on the roster, no one would have thought of him as a top act since the only thing that's interesting about Hart is his family drama. Vince McMahon's genius was to build an entire mythology around that dynamic, insert family members, then create heat from there.
Does that mean Bret was great? No. When you look back at his run, he tended to peter out fast, the company unable to figure out what to do with him. Even when he had his very best character run in 1997, he still petered out in a few months. That's almost unprecedented for any ace the company ever had.
A lot of smarks give Bret Hart credit for getting Austin over, but the construct on which it is based is functionally illiterate. Austin was already over before their match at the Survivor Series. His gun storyline with Brian Pillman was the talk of the school that otherwise wasn't talking about wrestling. Black kids were largely WCW fans and they were huge on Austin. That was in 1996. Austin had gangster creds
It should strike people as significant that WWF heavily marketed Bret Hart from 1996 into 1997 as a living legend. Fans roundly rejected that because no one believed it. This is a guy who was less over than Shawn Michaels, Diesel, and the Undertaker at the start of 1996 when business was picking up suddenly, and he was the champion. Even Hart concedes that on that same month, his match with the Undertaker sucked; and it did. Thousands walked out of Anaheim during his Iron Man match.
So what gives? Hart failed up into his position. The Bulldogs did not want to drop the belts to anyone but the Hart Foundation. Check. He was pushed twice as a face and both failed. Then he started to get over as a "fighting champion" in 1991. Even then, was he even a top 8 act in the company? Business declined when he was on top after being given the title in a crisis period of a roster vacuum. WWF pulled the belt from his almost immediately at Wrestlemania IX, though there were reasons for that. Then he's suck in a silly feud with Lawler. He did get more over than Lex Luger in 1994, but that's not really a feat. Luger might be the most apathetic meathead face I've ever seen pushed seriously over and over again. Owen revived his career for a few months, then they went with Diesel, which was unprecedented given his lack of experience. He thrived in a position where many would have and did crack. Hart was stuck in the midcard since they couldn't book him without his family. No one accepted him as a top guy in 1996, then rejected him later that year. The Hart Foundation did revive him, but, like always, only for a few months, until be was heatless in the Fall, where he blamed Shawn Michaels.
Eric Bischoff, for whom I have no respect, got chastised for saying that Bret Hart was boring. Here's the thing. Take from Bret his family drama and WWF's genius marketing, and with what are you left? You're left with a boring guy. He was aged by then but not significantly so. He was only about 40 - close to retirement age but plenty of punch left.
The big mystery is why McMahon pushed him to begin with. I think McMahon liked Hart for three reasons. First, his background is exotic, especially in that period. Second, McMahon saw him as a very masculine, rugged guy of the Canadian mountains of Alberta, who chose women over drugs. Third - this is the biggest - Bret Hart was easily manipulated since he has abandonment issues with his dad. Vince McMahon was his substitute father. Bret accepted that since his worldview is so driven by this. How else do you get one who was warned in advance that he might get screwed at the Survivor Series to trust, in spite of his paranoia, that Daddy McMahon would never backstab him?
On that note, smarks screwed up the Survivor Series too. Bret wedged a negotiation deal to extort massive amounts of money, risking main event talent inflation, then calling himself "loyal." The loyal ones were the front office people who stayed with a massive payout. Bret acted like a mercenary. That's cool. It's the free market. But let's not call that an act of loyalty because it's not. Then he made an absurd demand to sandbag an A-show PPV, heavily promoted, to drop the title on a B-show PPV that, year to year, is the poorest selling of the calendar year. His demand not to job was absurd on its face.
I got a lot of views about the Screwjob that are complex and multi-faceted. The gist is that McMahon was never going to honor his absurd contract but that McMahon kept the title on him so that Bret could get a sweet retirement package from WCW anyway, which is what ended up happening. That said, I think McMahon walked in that day thinking he could do a viable negotiation. It failed. Then went to Plan B to get the title off of him. Bret was too short-sighted to see that.
To be noted, I don't hate Bret Hart. I just don't see him as an all time great. He worked a lot with people like Bulldog, Owen, and had a great back story. As a babyface ace, he was bottom tier of those viable to carry the company. He wasn't really a draw except for a very brief time. Prior to his run in the World Wrestling Federation, no one thought of him as a budding great worker. That was all WWF marketing. I could easily name 20 people of that period who were better. I think his matches with outsiders were less than impressive. I think Austin got over on his character work alone and that the storyline foil GOT BRET HART OVER, not the other way around since the dynamic challenged Hart's character in a way that was organic to him and organic to an audience that didn't see him as a top guy.
1996-1997 WWF had a lot of new fans, despite what the ratings say. Attendance increased substantially. A lot of the new paying audience didn't see Bret as a top guy because he wasn't. You see a similar dynamic when the Road Warriors battled the Steiners in 1996 at Winston Salem on Nitro. The Steiners got booed. Weird since Winston Salem was a historic WCW base. That just tells me that WCW had a lot of new fans who weren't watching in 1991 and that the Road Warriors, to them, were WWF guys.
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saintegenevieve
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Post by saintegenevieve on Nov 11, 2022 16:27:00 GMT -5
Strange article. Agree about his point about Bret leaving. With him and Shawn gone within 6 months of each other, the new cast were allowed to blossom and even if WCW had worked out better for Bret, I don’t think the loss was ever going to have a major effect on the WWF momentum. In my opinion, he’s way off the mark saying Bret wasn’t great. Was a huge fan of Road Dogg, but he was over with the crowd at a time the whole product was over. Even Mideon running through the crowd ‘naked’ got a huge pop. Bret did ok on the money front and as entertaining as RD was, he was never going to be a huge star in his own right. Had he not clicked with Billy Gunn in the New Age Outlaws, I doubt he’d even be remembered. I remember meeting Road Dogg at a hotel once. His face was planted in his own food. He was that messed up on booze and pills. I have my views on Hart from my above post. He might not be the best source but he's not entirely wrong
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saintegenevieve
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Post by saintegenevieve on Nov 11, 2022 16:42:42 GMT -5
This is the part where he waffled a bit, but he did say that Bret wasn't a great wrestler (2nd paragraph of his quote): "I don’t think I was a good wrestler. I don’t think Bret was a great wrestler. I think I was a better sports entertainer than Bret was and I think that’s where the money is.”
I also think Bret gets a bad rap for not selling as a champion, no one at that time was selling. The WWF brought back Hogan, Warrior, Savage, Piper, etc., and the WWF didn't sell either. They put the title on Yokozuna, Diesel, and HBK, and none of them sold either. WCW at the same time had Hogan, Savage, Sting, Flair, Arn, Vader, etc., and they didn't sell either. Wrestling was down across the board; it wasn't just the WWF when Bret was on top. There were a lot of scandals in the wrestling world at the time that brought down the whole industry: you had the steroid trial, the ring-boy sex scandal, Vince admitting in court that wrestling was not real, and Kerry Von Erich's death made national news - shedding light on the drug abuse that was rampant in the industry. 100% nobody drew 92-96.....BUT Bret was huge for the WWF in Europe. All the talking heads have said it. So to say he never drew a dime as champ is incorrect.
Bret Hart was not some huge draw in Europe on his own merits. In 1991, building into the 1992 tour, the British Bulldog, who wasn't heavily featured on TV except in midcard filler matches, was the most featured act in both tours. In 1993, Hulk Hogan was the key draw and amounted to his farewell tour. In 1994, WWF did two tours. Bret and Owen Hart headlined at Royal Albert Hall with only 3,000 in attendance. In the Fall, they sold out. The difference? Bulldog was there. Unlike in 1991-1992, I wouldn't ascribe that to Bulldog but anything is possible.
Some will talk about 1996 in the Middle East and in India. He did draw but it's also an area that simply never got wrestling. They didn't draw enough to bother returning for years.
1997 was on fire. Note though that WWF put Bulldog on top yet again against Shawn Michaels at One Night Only.
No one was drawing heavily but it was a period of a talent vacuum. The subtlety is in the fact that the company felt investing in Diesel and Shawn Michaels was more worth their while. By January 1996, it paid off with the first sell out in 6 years at MSG. Bret Hart was easily the least over of them and the Undertaker.
Bret Hart was part of the package but let's not pretend that from 1992-1995, he was the Hulk Hogan of the company. Hart never had a core fan base like that. I only tuned back in, like a lot did, when Michaels and Diesel were back on top. For those bleak years, one the Undertaker drew me back in. I almost forgot that Hart was a main event act. Does anyone even remember his feud where he teamed with Bulldog against Owen Hart and Jim Neidhart? That was the headline for Fall 1994. It was so colorless that he got moved back to the midcard
Undertaker and Yokozuna did draw money together though so it's not like no one drew money. A lot that gets attributed to Hart, like drawing in Europe, stops to make any sense when one realizes that he wasn't even booked on top of those tours. When he was so in 1994, it didn't draw. Then it did. Bulldog was the common denominator. Now, I'll never get that personally since I think it's weird that Bulldog was a special attraction in Europe but I didn't make up the numbers. WCW equally brought him in the fold to draw in Europe.
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saintegenevieve
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Post by saintegenevieve on Nov 11, 2022 17:00:57 GMT -5
Bret Hart = Greatest Pro Wrestler ever! Road Dogg = a great sports entertainer. So Road Dogg smoked himself stupid clearly, but I will say that Road Dogg was great when it came to a catchphrase and a few signature moves. But I can't think of one Road Dogg match I want to watch right now. As for Bret Hart?? I can think of many matches I want to watch with Bret Hart. From his Hart Foundation days, to his IC Title reign to his WWF Title reign. All great stuff to watch. They're all pro wrestlers. If you mean "technical," that's a construct too. The delineation between what Bret Hart imagines himself to be died out by the mid-70s, so we're talking about the era of the Brisco's, Funk's, the Minnesota Wrecking Crew. Their style of work was distinct in the sense that their function was to convince the audience that what they were seeing was real, even if the rest was hokey. That style starts to die out with the fall of Florida and Georgia, the rise of Dusty Rhodes and Ric Flair, starting from arguably the Superstar Billy Graham period. I would suggest that you listen to how Ole Anderson views Flair, now seen as an all time great. His view of Flair was of him being a routine worker, taking the same bumps, doing the same spots, so Flair, by Ole, was incapable of selling out an arena to which a promotion toured monthly since everyone would be seeing the same match. Pre-1975 main event acts didn't work that way. They had ways to engage the audience for upward of 75 minutes. The transition point is never fixed but you start to see a gradual movement away from this approach from 1975-1980. Phenomenologically, I don't see Bret Hart as distinct from Ric Flair or the Ultimate Warrior. That's the Performance Era and what people paid to see was a routine performance. The last 15 years has been more of a Content Era where your value is just to produce filler television with kaboom spots and scripted promos. If Bret Hart was a "pro wrestler" or an old school worker on the order of Dory Funk Jr. - and I think Bret would love to think of himself as such and certainly his self-narrations point to this idea of himself - he was a really inferior worker to that class. His match with the Undertaker in 1996 was poorly received. He couldn't work a one hour Ironman match without thousands walking out. Compare that to Ole Anderson who could work a 75 minute match and sell out the Omni almost every month! Now, I don't blame Bret Hart for that strictly since you can't fight the winds of change. '70s films built up slowly and for a functional ending in ways that a drawn out style by the likes of Jack Brisco, Dory Funk, or Ole Anderson wasn't at odds with the cultural mores of the period. Think of it as neo-noir but for pro wrestling. (Bret Hart grew up wanting to study film, by the way, and given his age, he was probably a Hitchcock fan.) '80s films were feel-good, and though good, you always knew that the face had the win. On the other hand, the style that one does has to make sense to the audience. It's the same that I'll say about Ric Flair in 1991. He didn't get the New York audience and thus did not get over. The New York audience wants to see a menacing heel capable of putting the Red Rooster on a stretcher, then challenge Hogan. They don't want to see a main event heel take bumps for a jobber like El Matador for 8 minutes. It's bad optics when the Undertaker is killing Texas Tornado in 3 minutes. So yes, Bret Hart does deserve blame for not reading the audience. Had he added more fire to his character work and his comebacks, he might have been able to persuade the audience in a way that would have him draw money. But he didn't. You can't tell an audience what they want. No one wants to see Bret Hart work on the Undertaker's leg for 20 minutes. It's at odds with fan expectations
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Warriah'
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Post by Warriah' on Nov 13, 2022 4:13:50 GMT -5
Bret is the greatest of all time.
Road Dogg was a bad wrestler who was good on the mic, he was completely carried by Billy. I love the Outlaws but any RD match without Billy is completely not worth my time. I'll be watching and rewatching Bret's body of work until I'm in the grave. People who say that Bret wasn't good on the mic need to rewatch his stuff from 97-through wcw.
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Post by PJ on Nov 14, 2022 7:15:12 GMT -5
I didn’t and I’m not going to read the article but from what I read in the responses I will say this. If I want to be entertained I will take Bret Hart over HBK or Road Dogg any day of the week. To me Bret did everything effortlessly between those ropes. Were his promos as natural as Road Doggs or HBK’s? No, but they were good. They got better as he got more comfortable.
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Post by LA Times on Nov 16, 2022 22:45:56 GMT -5
Road Dogg was horrible in the ring, had a less marketable look for a wrestler than Scott Armstrong and his only success as a solo act was being a singing cowboy.
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Post by The Brain on Nov 16, 2022 22:49:30 GMT -5
Brad will always be my fav from the Armstrong family
Saddled with bad gimmicks but man was he an all around solid hand in the ring
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DarthVeach
Superstar
OOOH YEAH!
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Post by DarthVeach on Nov 17, 2022 12:21:50 GMT -5
Road Dogg was horrible in the ring, had a less marketable look for a wrestler than Scott Armstrong and his only success as a solo act was being a singing cowboy. I am glad someone else thinks like me. Always thought of him as a 3rd string wrestler at best. And for him to comment on Bret's talent, is a joke
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ℍ𝕒𝕣𝕕 𝕋𝕠 𝕂𝕚𝕝𝕝
Main Eventer
ask me about how Verizon owes me over $4,000
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Post by ℍ𝕒𝕣𝕕 𝕋𝕠 𝕂𝕚𝕝𝕝 on Nov 17, 2022 12:48:00 GMT -5
Road Dogg cut the same promo on RAW for 2 years and then was a midcard tag guy. Who cares what he says about one of the GOATs Bret Hart?!
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Post by theoutlaw1999 on Nov 17, 2022 19:33:54 GMT -5
The insults aimed at Road Dogg are unnecessary. He has every right to voice his opinion on a fellow wrestler, just like every fan around the world has the right to voice their own opinions.
Road Dogg was a poor wrestler but at least he has competed in a ring. For years fans sitting at home who have never wrestled a match in their lives have claimed that Cena, Roman etc can't wrestle.
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Thunder Chunky
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Post by Thunder Chunky on Nov 17, 2022 22:22:17 GMT -5
The insults aimed at Road Dogg are unnecessary. He has every right to voice his opinion on a fellow wrestler, just like every fan around the world has the right to voice their own opinions. Road Dogg was a poor wrestler but at least he has competed in a ring. For years fans sitting at home who have never wrestled a match in their lives have claimed that Cena, Roman etc can't wrestle. People are allowed to crapon something. Just because we've never wrestled doesn't mean we can't critique someone. That's like saying people can't say an actor is bad because theyve never been in a movie.
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Post by Nivro™ on Nov 17, 2022 23:16:27 GMT -5
There's SOOO much missing context that I hope people read the article (specifically the above) and not actually just the title. Hart was a better wrestler/work. RDJJ even admits that, multiple times...RDJJ says he was a better sports entertainer...which is entirely true. This is no different the Hulk Hogan sayin "Ric Flair was a better wrestler, but Im a better sports entertainer"....Bret didnt have crowds singing/humming his theme song. He didnt have people saying/singing along with him his quote any time he was on the mic. There's nothing wrong with what Bret was...There's nothing wrong with what RoadDog was. They're different but its Apples to Oranges too.
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Post by GreyHaze:Big Bad Booty Daddy on Nov 18, 2022 0:46:34 GMT -5
Bret Hart is still cooler than Road Dogg. How about that?
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Post by MKSavage on Nov 18, 2022 9:27:16 GMT -5
There's SOOO much missing context that I hope people read the article (specifically the above) and not actually just the title. Hart was a better wrestler/work. RDJJ even admits that, multiple times...RDJJ says he was a better sports entertainer...which is entirely true. This is no different the Hulk Hogan sayin "Ric Flair was a better wrestler, but Im a better sports entertainer".... Bret didnt have crowds singing/humming his theme song. He didnt have people saying/singing along with him his quote any time he was on the mic. There's nothing wrong with what Bret was...There's nothing wrong with what RoadDog was. They're different but its Apples to Oranges too. I don't think people are having too much of a problem with Road Dogg saying he was a better sports entertainer than Bret or better on the mic than Bret, it's mainly him saying that Bret Hart was not a great wrestler. And that he does not clarify what he means by "Wrestler". Most people equate "Wrestler" with in-ring work, not the character or the mic work. Also, the part about Bret not having the crowds singing/humming along with his theme song, or parroting what he said on the mic, is misleading. Back in the 80s and most of the 90s, no one else had that either. The chanting along with wrestlers on the mic and loudly singing/humming their entrance song really came about at the end of the attitude era into the ruthless aggression era. I mean, the fans of today do that with everyone, they used to loudly hum along to Fandango's and Emma's music, that doesn't make a great wrestler.
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Thunder Chunky
Main Eventer
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Post by Thunder Chunky on Nov 18, 2022 11:15:04 GMT -5
Bret Hart isn't a racist so that automatically makes him cooler than Road Dogg.
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celflessness
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Post by celflessness on Nov 18, 2022 12:25:54 GMT -5
Bret Hart = Greatest Pro Wrestler ever! Road Dogg = a great sports entertainer. So Road Dogg smoked himself stupid clearly, but I will say that Road Dogg was great when it came to a catchphrase and a few signature moves. But I can't think of one Road Dogg match I want to watch right now. As for Bret Hart?? I can think of many matches I want to watch with Bret Hart. From his Hart Foundation days, to his IC Title reign to his WWF Title reign. All great stuff to watch. They're all pro wrestlers. If you mean "technical," that's a construct too. The delineation between what Bret Hart imagines himself to be died out by the mid-70s, so we're talking about the era of the Brisco's, Funk's, the Minnesota Wrecking Crew. Their style of work was distinct in the sense that their function was to convince the audience that what they were seeing was real, even if the rest was hokey. That style starts to die out with the fall of Florida and Georgia, the rise of Dusty Rhodes and Ric Flair, starting from arguably the Superstar Billy Graham period. I would suggest that you listen to how Ole Anderson views Flair, now seen as an all time great. His view of Flair was of him being a routine worker, taking the same bumps, doing the same spots, so Flair, by Ole, was incapable of selling out an arena to which a promotion toured monthly since everyone would be seeing the same match. Pre-1975 main event acts didn't work that way. They had ways to engage the audience for upward of 75 minutes. The transition point is never fixed but you start to see a gradual movement away from this approach from 1975-1980. Phenomenologically, I don't see Bret Hart as distinct from Ric Flair or the Ultimate Warrior. That's the Performance Era and what people paid to see was a routine performance. The last 15 years has been more of a Content Era where your value is just to produce filler television with kaboom spots and scripted promos. If Bret Hart was a "pro wrestler" or an old school worker on the order of Dory Funk Jr. - and I think Bret would love to think of himself as such and certainly his self-narrations point to this idea of himself - he was a really inferior worker to that class. His match with the Undertaker in 1996 was poorly received. He couldn't work a one hour Ironman match without thousands walking out. Compare that to Ole Anderson who could work a 75 minute match and sell out the Omni almost every month! Now, I don't blame Bret Hart for that strictly since you can't fight the winds of change. '70s films built up slowly and for a functional ending in ways that a drawn out style by the likes of Jack Brisco, Dory Funk, or Ole Anderson wasn't at odds with the cultural mores of the period. Think of it as neo-noir but for pro wrestling. (Bret Hart grew up wanting to study film, by the way, and given his age, he was probably a Hitchcock fan.) '80s films were feel-good, and though good, you always knew that the face had the win. On the other hand, the style that one does has to make sense to the audience. It's the same that I'll say about Ric Flair in 1991. He didn't get the New York audience and thus did not get over. The New York audience wants to see a menacing heel capable of putting the Red Rooster on a stretcher, then challenge Hogan. They don't want to see a main event heel take bumps for a jobber like El Matador for 8 minutes. It's bad optics when the Undertaker is killing Texas Tornado in 3 minutes. So yes, Bret Hart does deserve blame for not reading the audience. Had he added more fire to his character work and his comebacks, he might have been able to persuade the audience in a way that would have him draw money. But he didn't. You can't tell an audience what they want. No one wants to see Bret Hart work on the Undertaker's leg for 20 minutes. It's at odds with fan expectations Reading Bret's book again earlier this year made me re-think his career and legacy. He never really went many places or experienced much of the wrestling world. He worked for his Dad, then he worked for Vince. With a couple of short trips along the way, usually on the back of Dynamite. He wasn't the constant traveler of an NWA champion. He didn't carry multiple territories. He didn't have to win the respect of multiple bosses. Almost sheltered. He's still one of my childhood heroes and I think his work holds up. Miles better than Road Dogg. Part of Sports Entertainment is drama. Road Dogg couldn't do that. Bret could.
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Thunder Chunky
Main Eventer
Joined on: Aug 1, 2010 21:57:30 GMT -5
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Post by Thunder Chunky on Nov 18, 2022 13:06:36 GMT -5
They're all pro wrestlers. If you mean "technical," that's a construct too. The delineation between what Bret Hart imagines himself to be died out by the mid-70s, so we're talking about the era of the Brisco's, Funk's, the Minnesota Wrecking Crew. Their style of work was distinct in the sense that their function was to convince the audience that what they were seeing was real, even if the rest was hokey. That style starts to die out with the fall of Florida and Georgia, the rise of Dusty Rhodes and Ric Flair, starting from arguably the Superstar Billy Graham period. I would suggest that you listen to how Ole Anderson views Flair, now seen as an all time great. His view of Flair was of him being a routine worker, taking the same bumps, doing the same spots, so Flair, by Ole, was incapable of selling out an arena to which a promotion toured monthly since everyone would be seeing the same match. Pre-1975 main event acts didn't work that way. They had ways to engage the audience for upward of 75 minutes. The transition point is never fixed but you start to see a gradual movement away from this approach from 1975-1980. Phenomenologically, I don't see Bret Hart as distinct from Ric Flair or the Ultimate Warrior. That's the Performance Era and what people paid to see was a routine performance. The last 15 years has been more of a Content Era where your value is just to produce filler television with kaboom spots and scripted promos. If Bret Hart was a "pro wrestler" or an old school worker on the order of Dory Funk Jr. - and I think Bret would love to think of himself as such and certainly his self-narrations point to this idea of himself - he was a really inferior worker to that class. His match with the Undertaker in 1996 was poorly received. He couldn't work a one hour Ironman match without thousands walking out. Compare that to Ole Anderson who could work a 75 minute match and sell out the Omni almost every month! Now, I don't blame Bret Hart for that strictly since you can't fight the winds of change. '70s films built up slowly and for a functional ending in ways that a drawn out style by the likes of Jack Brisco, Dory Funk, or Ole Anderson wasn't at odds with the cultural mores of the period. Think of it as neo-noir but for pro wrestling. (Bret Hart grew up wanting to study film, by the way, and given his age, he was probably a Hitchcock fan.) '80s films were feel-good, and though good, you always knew that the face had the win. On the other hand, the style that one does has to make sense to the audience. It's the same that I'll say about Ric Flair in 1991. He didn't get the New York audience and thus did not get over. The New York audience wants to see a menacing heel capable of putting the Red Rooster on a stretcher, then challenge Hogan. They don't want to see a main event heel take bumps for a jobber like El Matador for 8 minutes. It's bad optics when the Undertaker is killing Texas Tornado in 3 minutes. So yes, Bret Hart does deserve blame for not reading the audience. Had he added more fire to his character work and his comebacks, he might have been able to persuade the audience in a way that would have him draw money. But he didn't. You can't tell an audience what they want. No one wants to see Bret Hart work on the Undertaker's leg for 20 minutes. It's at odds with fan expectations Reading Bret's book again earlier this year made me re-think his career and legacy. He never really went many places or experienced much of the wrestling world. He worked for his Dad, then he worked for Vince. With a couple of short trips along the way, usually on the back of Dynamite. He wasn't the constant traveler of an NWA champion. He didn't carry multiple territories. He didn't have to win the respect of multiple bosses. Almost sheltered. He's still one of my childhood heroes and I think his work holds up. Miles better than Road Dogg. Part of Sports Entertainment is drama. Road Dogg couldn't do that. Bret could. To be fair to Bret, his singles push didn't really start until after the territories we're mostly dead and buried.
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Post by cordless2016 on Nov 18, 2022 18:21:45 GMT -5
I’ve gone back and watched countless Bret Hart matches over and over for decades.
Can’t say the same for Mr. “Road Dogg” Jessie James.
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