Post by Crimson Arrow on Feb 17, 2007 15:22:26 GMT -5
Take the question how you wish to either the best written fight, the best fallout from the fight or the best drawn fight...
I just got done reading Paul Smith's run as artist on Uncanny X-Men and the question to popped into my head after seeing two scenes:
1. The scene where Binary walks into the X-Mansion to find Rogue, the person who stole her life from her, has joined the X-Men... cue a panel of Rogue being punched into orbit.
2. The fight from #173 where Wolverine and Silver Samurai go at it for about 3 or 4 pages. There are no backgrounds, very little talk but the blows just flow on from each other. It's one of the best choreographed fights I've ever seen, most comics take the route of jumping from one big hit straight to the next.
Great stuff. ;D
I just got done reading Paul Smith's run as artist on Uncanny X-Men and the question to popped into my head after seeing two scenes:
1. The scene where Binary walks into the X-Mansion to find Rogue, the person who stole her life from her, has joined the X-Men... cue a panel of Rogue being punched into orbit.
2. The fight from #173 where Wolverine and Silver Samurai go at it for about 3 or 4 pages. There are no backgrounds, very little talk but the blows just flow on from each other. It's one of the best choreographed fights I've ever seen, most comics take the route of jumping from one big hit straight to the next.
Great stuff. ;D
